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CAST:
Sarah – KATY HARRISON REED
Lenny – ANDREW SMITH
Stuart – PETER LANGTON
Kate – LUCY SESSIONS
Maynard – THE VOICE OF STUART OLESKER
Bookshop Boss – HEATHER TODD
New Housemate#1-KATHERINE SEARLE
New Housemate#2 - DANIELLA FRENCH
New Housemate#3 - NAOMI GREGSON
New Housemate#4 - JAKE DOVEY |
CREW:
Music by PAUL TERRY
Special Effects by ALEX COLIAS
Cinematography & Editing by JAKE DOVEY
Produced by NAOMI GREGSON & PAUL WILLIAMS
Written & Directed by PAUL WILLIAMS
Duration: 30 minutes
Format: Digital 8 |
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SELLING
HIS SOUL
Paul
Terry and the Sold soundtrack. |
PREMIERE
PICS
Images from the Portsmouth premiere. |
| WHAT
WOULD YOU GIVE IF YOU COULD GIVE SOMETHING? |
| Where
did it all begin? Way back in the autumn of 1999 that’s
where! The erstwhile brothers of film Paul Williams and Paul Terry
met at University after sharing make-up. What? Isn’t that
how all male chums meet; over a half-used lipstick? Ok, PW will
explain:
After a year on a Palaeontology course (don’t ask, that’s
a whole other story) I switched to English and Creative Studies
at Portsmouth University. Portsmouth – the gateway to the
Isle of Wight and basically a town that suddenly stops and the
sea starts, like someone forgot to put the coastline in and just
added the sea. The course was a mixture of English (that’s
reading lots of books and philosophising over the meaning of art
and reality to those of you who took Sports Science) and Creative
Studies, which covered the whole, writing, drama, theatre, film
thing.
It was a great three years, a time when you could experiment with
all different styles of writing and theatre and hair colour and
not have to worry about anyone wondering what the hell you were
doing. Our first task for the theatre element of the course was
to write and perform a four minute monologue, in an actual theatre,
to an audience of actual living and breathing people. We all cacked
our collective pants.
Being the cheery fellow’s that we are I wrote a comedy monologue
about Death and Paul Terry explored his tortured artistic soul
with a monologue about a tortured man tied to a chair. We portrayed
pale characters and both wore white face paint (and you all thought
we met at a Rocky Horror Show performance). We shared
make up and fast became firm friends, sharing that passion to
be creative and fly in the face of convention – or at the
very least sneak up to it and trip convention up when it wasn’t
looking.
Over the next two years we worked on projects at University which
accumulated in our final piece, the short film Sold.
We had a choice at the end of our course: you could either write
a long and boring dissertation that would only be read once and
then filed away under ‘collect dust’ or you could
create a short theatre piece. It took us a month or so to convince
our lectures that a film was a theatre piece – only on a
tape rather than a stage. After fighting hard and making a two
minute film that involved my then flatmate Alex pretending to
slit his wrists and dying in a bath (I am a cheery person, I swear)
they allowed us to make Sold.
So, in the autumn of 1999 the Evil Hypnotist was born and Sold
was made.
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SOLD
“Terribly sorry, Maynard. So embarrassing
having company when the flat’s such a mess.” |
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Have
you ever been so drunk that you can’t remember what you did
the night before? What if you did something terrible in that lost
time – and I don’t mean sleep with someone you shouldn’t
have – I mean something horrifying.
This was the basic premise for Sold. A group of housemates,
Sarah, Lenny, Stuart and Kate, have a drunken night of swearing
and, well, drinking and wake in the morning feeling more than a
little worse for wear. That day they are each individually visited
by Richard Maynard who claims to be a lawyer and further claims
that they have each sold there mortal soul to his client and he
wishes to collect by 11.15pm that night, 24 hours after the signing
of the contract. |
Naturally
each housemate freaks out, not remembering any of this and not believing
a word Maynard is saying. The lawyer demonstrates his clients seriousness
by being able to stop their life for a few seconds. Upon being revived
each housemate believes Maynard and desperately beg for their lives,
at which point Maynard informs them of a loop hole in the contract.
If they take someone else’s life before 11.15pm their place
would be forfeit – a soul for a soul.
Each housemate returns home that evening knowing that they will
have to kill or be killed. |
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Hell
breaks loose. Knives, stiletto shoes, ashtrays, frying pans, and
cookies all become murder weapons as the house descends into chaos.
When the dust settles everyone is dead and as the bell strikes 11.15
one of the housemates returns from the dead to thank Maynard for
a job well done.
The last shot we see is the only remaining housemate moving into
a new house and a whole new set of souls.
Sold was a very steep learning curve. It took an intense
week to film and an even intenser month to edit. With the help of
another English and Creative Studies student, Jake Dovey, we shot
on Digital 8 and edited on an ancient analogue SVHS machine. |
Because
we were an English course, the arts department wouldn’t let
us use any of their equipment or new edit suites, so we ended up
in a drafty old room using a machine that had been cobbled together
with parts the technicians in the Languages department had stolen.
The filming went smoothly, we used a lot of first year students
to fill out the cast (so sweet and innocent) and covered my friends
bedroom in chocolate sauce. Before you all go and get the wrong
idea – we decided early on the film should be in black and
white, to have a noir feel, and as Hitchcock knew the best substitute
for blood in B&W is good old chocolate sauce. In fact we covered
the house in it. By the end of the shoot I think my housemates wished
I had sold my soul and been dispatched at the end of the film along
with my unlucky cast. |
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While
Jake and I struggled with the ancient editing machine Paul Terry
had a nightmare of his own recording the music for Sold.
Learn how it all almost didn’t happen in Paul’s fraught
adventures in Portsmouth by clicking
here. The film was too long, but we didn’t have the time
or the right equipment to make a re-edit so it stayed at thirty
minutes with what has to be the longest slo-mo fight sequence ever
to grace the silver screen. We had to re-do the sound the afternoon
before the premiere because it was too quiet and we were all suffering
from lack of sleep and being malnourished. All that said, it was
a sign of things to come and for the first EHP film it went down
a storm. |
We
asked if we could have an evening to ourselves – all the other
final year pieces were shown on another night – this was not
us thinking we were better, it's just through our cunning teaser
poster campaign which asked ‘What has been sold?’,
the expectation and word of mouth had ripped through Pompey like
wild fire, or at least a cosy log fire. The
night arrived and the evening kicked off with a Hollywood style
trailer, complete with deep, hammed-up voice over. Then there was
a live set by Paul and star bassist Nick Jones performing songs
from the soundtrack. Finally, the lights dimmed and Sold
played to a packed audience in the small, cold Wiltshire studios,
where you could hear the traffic humming by through the walls.
The opening credits rolled and the rest is history.
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Paul
Williams 23/10/03
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| MORE
STILLS FROM SOLD |
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| Way
back in 1999, just a few months after the birth of the Evil Hypnotist,
the family had it's first premiere. Held in the drafty Wiltshire
Studio in even more drafty Portsmouth, about a hundred people
watched the premiere of Sold.
Here are some pictures from that momentous evening. |
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| Alex
Colias = daper. |
PW
with Katherine Searle and Heather Todd. |
Steph
Rowlands being eaten by Katy Reed's fur coat. |
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| Jake
Dovey with Naomi Gregson outside Wiltshire studios. |
WARNING:
Premiere's and drink don't mix. |
Steph
with Daniella French. |
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